03280909

Owner wrote:

03280909

WORKLOAD

 

In my journey of self exploration it is of great importance to seek out the working practices of other artist, not so much in the seeking of sameness but in establishing the differences, one such difference I have found from the norm is in the creation and ongoing workload of artists.

I have found many artists who will create several or many pieces of artwork simultaneously, for some as many as thirteen at the same time.

I tend to work in the creation of series, bodies of work that are quite different from each other, each to accommodate the different times of the day, or night;  for what the future may behold I feel very fortunate to be able to do this and adds further to my belief, and endeavours to be, an exhibitions artist.

My sketches of the local Town continues as, with each announcement of the availability both of funding and employment opportunities comes another portion of the old town that moves a little further away from the public eye, taking with it the grand history of a place once built with the toil and physical graft of the Cumbrian man and the sufferance of their families in times gone by.

My contemporary social pieces are being met with great affection from those who both smile, laugh and provide negative emotional reactions in viewing either the finished pieces or the photographic inspirations; I am not sure who is more looking forward to seeing the entire series, they, or myself.

This morning I completed four small landscapes that end the 7 or so year wait that my mother has patiently lived awaiting a landscape from me, terrible to make your mother wait so long!!!  These images are an additional series which, with the large contemporary canvases make up 4 separate bodies of work that I am working on at the moment.

Tim (Leeson) friend, artist and poet, remarked that were he to be so constantly creative it would drive him around the bend, a difficult scenario for me to imagine under any circumstance when, for the most, my life is spent in quiet restful contemplation of beautiful things.

 

Popular posts from this blog

A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding