first acknowledgments

Having been playing around with my airbrush for around a week or so I have been intent upon investigating the very areas of paint that brought the change of direction,  what was it that I was unable to demonstrate from paint was a part of the world around me that sits beyond the fringe of what is normally noticed, the finite details of light and dark, the point where the transition from light to dark reaches the critical point where the balance of shade changes from light to dark and visa versa.

I find that an attempt to describe my explorations are hampered by normal vocabulary even, where words are insufficient to communicate what it is that can only be transmitted through the medium  visual, instumental or mathematical, only through an alternative understanding does it make sense to me; through its physical limitations paint did not give me the opportunity.

With the airbrush the paint is almost vapourised spreading the paint evenly, through occasional adjustment of the compressors air pressure though mostly through hand and arm movements  I am able to push the boundaries a little bit further toward the finite stretching the colours out in a smooth blend. and transition.

 more work to see at  Airbrush 01 The Beginnings

Popular posts from this blog

A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding