The wait

While I await the plans from the castle survey there is little to do these days other than finishing off and packing up earlier trials and outstanding jobs that have surved their time; for me it is that period of waiting between commitments that mainly orientate around the Castle Project and preparations towards the November period of Remembrance,
An early spring gives opportunity to reacquaint myself with the outside world and to get back to the roots of my existence, nature itself which left unattended overcomes the intrusion of man leaving rusted metals and other rubbish dumped, as awful as this is even nature overcomes the ugliness, metals change to autumnal colours through oxidation and rust, other materials slowly get taken over with moss and tiny ecosystems that eventually meets with the nature of the land as they slowly move toward each other.
this old burner sits in the allotment, still usable and aesthetically fitting to its surroundings, you have to love the process of natural degradation and evolution.
There was a wonderful documentary film though I can neither find it nor remember the name; it started with the sudden and unexplained disappearance of the entirety of all of mankind and how the the natural world would evolve in omnipotence, with excellent special effects I watched the mighty dams of the world shut down, break down and eventually give way, the eifel tower and every other great building ultimately disintergrate and become lost, in fact, all that would be left for the duration of the earth would be a return to nature pre-man with no visible evidence that man had ever been here, thats powerful.

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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding