Old Medium New Learning

As I sit here now looking at a studio, loose stuff strewn around awaiting packing  and boxes piled high I smile as I read this post from, 

 I'm not sure when exactly when  probably around 3 or 4 years ago, the smile is down to being now able to construct some very interesting and acceptable watercolor works that would not have arrived as quickly as they have without that revision period, the rapid time during which ai creation has taken me to get the hang of has had a direct knock on to my date of moving bringing it much nearer than I imagined, the move now, I know, will be happening next year.
So, here's the post.

​"Watercolor is now back in use, bringing regular enjoyable and exciting moments as I relearn and reacquaint myself with the medium. Though I had forgotten its versatility, I am nonetheless left in a constant state of amusement. I am currently working from my kitchen while awaiting the completion of my new studio space; if nothing else, the view is great. Looking north, the moon is full, bright, and clear, casting its light over all the fields, trees, sheep, and hedges, presenting them to me in a most surreal light. Even the shadows are crisp. The entire scene reveals the presence of a cold and unwelcoming night, and I found myself leaning over the sink for much longer than I’d intended."

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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding