The New Studio8

Finally, the instalation of the new studio8 is, barring the fine tuning such as overhead lights and foto booth plus a few other minor additions, though these are with regard to its functionality luxury additions rather than any necessity, for now I can get back to work.





Dedicated solely to Polymer Clay work It is much smaller than previous studios but in the world of progress it is so much larger than the original Studio! on the Heerstrasse of Berlin way back in 1978, wow! has so many years passed between Studio1 and 8, that was also an intimate space but nowhere near the amount of storage and working area than I now have



Work to do now, have an artful Day one and all while I crack on with my ''Moormen'' series, more on these characters later.

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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding