Ai and Digital art transition

A.I. AND DIGITAL ART TRANSITION

I ALWAYS CREATED IN QUIET, LETTING THE WORK GROW IN PRIVATE LONG BEFORE ANYONE SAW IT. THEN CATARACTS CLOSED DOWN THE WORLD I KNEW — THE STUDIO, THE DETAIL, THE SIMPLE ACT OF SEEING MY OWN HANDS. DIGITAL ART DIDN’T ARRIVE AS A CHOICE; IT ARRIVED AS A LIFELINE. A.I. BECAME THE SPACE WHERE I COULD STILL MAKE SOMETHING WHILE MY VISION FADED AND WHILE I WAITED FOR NEW LENSES TO RESTORE WHAT I HAD LOST. AS MY EYES WERE FAILING, MY SOCIAL MEDIA WAS REAWAKENING, AND BOTH TRANSITIONS MERGED INTO A SINGLE PATH: A NEW WAY OF SEEING, AND A NEW WAY OF SHARING.

NOW, WITH ONE LENS FITTED, I CAN SEE — NOT PERFECTLY, NOT FULLY, BUT ENOUGH TO KNOW THAT THE JOURNEY IS STILL IN MOTION. THE SECOND LENS WILL NOT BE FITTED FOR MONTHS, SO IT IS ONWARD WITH DIGITAL ART, THE MEDIUM THAT HAS CARRIED ME THROUGH THIS STRANGE INTERVAL BETWEEN DIMNESS AND CLARITY.

AS I WORK DIGITALLY, I FIND MYSELF RETURNING TO SOCIAL MEDIA — AN AREA OF MY LIFE THAT HAD FADED TO NEAR NOTHING OVER THE PAST FEW YEARS. DIGITAL ART AND SOCIAL MEDIA SEEM TO BELONG TO THE SAME MOMENT IN HISTORY, AND THIS RETURN COINCIDES PRECISELY WITH THE START OF MY A.I. EXPLORATION. IN THAT ALIGNMENT, SOMETHING EXTRAORDINARY HAS EMERGED.

A.I. HAS TURNED THE WORLD UPSIDE DOWN — ADVANCEMENTS, FINANCIAL SHIFTS, SOCIETAL RECONFIGURATIONS — ALL CONTRADICTORY, ALL RAPID, ALL UNAVOIDABLE. BUT IN MY SMALL WORLD, I CHOOSE TO SEE CLARITY AND POSITIVITY. AFTER SEVEN DECADES OF LIFE, THIS MOMENT — THIS CONVERGENCE OF VISION, TECHNOLOGY, ART, AND RETURNING PRESENCE — STANDS AS THE MOST DEFINING POINT IN MY ENTIRE PERSONAL HISTORY

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