Big Bird and BoB


There is a distinct, understated magic in the daily rituals I share with the wild things right outside my window. For three years now, a female herring gull has made my sill her reliable stopover, always arriving with fledglings in tow—this spring bringing a record total of five across two broods.

​Right now, one of her latest fledglings is perched on my planter wall. From where I’m sitting, all I can see is a single, feathered head bobbing with near-perfect timing. Up! Down! Up! Down! It looks like a little aerobic workout, or his mother—just out of sight—conducting stealth drills: Hide! Peep! Hide! Peep! Naturally, I’ve named him BoB.

​Science explains their precise internal clocks through instinct and survival, but I prefer setting the logic aside just to enjoy the show. Without interfering in their wild lives, I find immense joy in being a tiny, welcoming stop on their daily rounds—even if they're mostly just trying to hustle me for biscuits.

​As for Flop,  and how he got his name? I’m going to guess the same as BoB! Earned his name during his very first appearance, In the window, on the sofa, and, flop! Down like a sack of coal afterwhich he never left avoiding all attempts at repatriation with his owner, never seen him in my life tet hes never been out of it on two years, thedes another stay. Another story for later..


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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

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grounding