a Retrospective day

I am really enjoying the fast paced creation of images at the moment, in as much as my images are biographical I find myself drawing on the spontaneity of the thought and soak up the pace of the moment itself to create each of these images, a moment of the past caught in the present and making more space in my head for something fresh.
What strikes me most is that these images are not just carefully reconstructed memories but also instinctive responses to them. The speed of creation leaves little room for second-guessing, allowing each piece to emerge with an honesty that might otherwise be polished away. In that sense, the process becomes as important as the finished image itself. A fleeting thought, a fragment of a conversation, a place once walked through, or a feeling long forgotten can suddenly surface and find its way onto the screen. By giving those moments immediate form, I am not simply revisiting the past; I am creating a dialogue between memory and the present moment, making space for reflection while remaining open to whatever new ideas arrive next.

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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding