finalised minatures

Witth the minatures finalised comes the problem of mounting and exhibiting in the best possible way. I have tried to bevel the edges however the outcome was a disaster leaving me with little choice other than to trim the edges straight, though the trimming was less than a quarter of a millimetre on all sides the scale of the images meant that this was a substantial amount to lose, even trying to square the pieces off was a challenge in itself, once again down to the simple fact that each piece is tiny, the smallest being less than 2cm square, however alls well that ends well as they say.

Still the wrestle with the boards that they will be mounted on continues, having now established dimensions that I am happy with with regard to the overall size, 13 x 10cm, I am grappling with the content; with the original boards being divided equally in half there was insufficient content to express the whole point of the exhibition, that being to highlite the taking over and pushing into the history books the Kendal of old by way of modernism through corporate colours and logos making the high street little more than a copy of every other town in the country.

I have now further divided one half of the board allowing for a full 50% of the board to be committed in support of the old, the ancient and the man made over computer generated plasticised and clinical corporate colours under which the old town lies.




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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding