In Minature


There is something about 'minature', that is absolutely magical, I dont know what the psycho/sociologists would have to say about the draw to tiny things. To me perhaps it, in someways, epitomises the attention to detail by its creator; In retrospect I started the trail of minatures some years ago when moving into yet 'another' residence in my nomadic life and finding on the doorstep a single piece of mail that was not a long and outstanding bill due by the escaping last resident, an assumption made following the paper trail from an initial and polite request for first payment all the way through to summons for arrest, however, my fascination was immediately captured and fixed a point in time from which my near future was in my mind


This piece of of mail was to me of more importance than the rest of the mail and its associations, (but by the Grace of God go I) . It was a catologue, The Dolls House Emporium, absolutely filled with the tiniest and perfect pieces of furniture, of people and lights, everything was in scale and in order, whilst the sufferer of an Institutionalised mind, an OCD borne of Military Service I could only imagine that this was probably the first time since leaving the Forces that my orderly and ordered mind felt satisfied and not in some small way.
Since that moment I have concentrated in a great part of my life to 'the smaller detail, be it a photograph of one tiny and practically invisible piece of beauty somewhere in the rubbish such as this tiny Jewel, (a minature globe around 7mm dia fantastic), It was found in the debris that builds up alongthe pavements edge, a broken heart, there is always a broken heart somewhere, a hidden aspect of rusting metal, tiny people, even there is artwork in the yellow lines, yet all this gets passed by as people race around in their hectic lives and filled minds, it is all about what isn't seen but always there.


While spending much of the day pondering over my published commitment to my September Exhibition I returned to the studio this evening to find on my desktop yet another unsolicited request from some unknown person to 'join this network', however, such is my curiosity that I followed the links and was quickly rewarded with a link [back] to, The Dolls House Emporium
{ http://www.dollshouse.com/dhe/dolls-houses.aspx } how could I not take this on board and rapidly readdress my journey since that first serendipitous present, even their website ticks most of my boxes.
Now, as I finish this BLOG I feel content in my exhibition Theme, with provinance my worry now becomes a little piece of personal satisfaction, a direction , In the same way that my collection of heart stones has marked my path this also is a marker, a marker not only for where I am at this moment in time, such as the heart stones, but now with a specific link to an earlier point in time, and therefore a significant part of my spiritual and artistic journey.



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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding