Space and my delicate mind.

Someone was once quoted in the Press to have not been able to fathom out why my works were sold so cheaply, that fact that he did not know the answer is simple, he didn't ask!

What he, and many others fail to realise is that my art is about a state of mind, more pronounced are the pieces that, although abstract in appearance, have a story hidden deep within the patternation, a story that only those who had been there could possibly read, the odd exception being the casual critique who has made a lifestyle from trooping around various galleries listening to the, usually far from inspiring banter of that well known figure, the gallery guide.

For a person to see their story within my images leaves me feeling saddened for that someone else who has an understanding of pain, hope, shattered lives and dreams, for a person to have that within them sufficient to want one of my works why should he have to pay through the nose, these works in my eyes can and should be looked upon as hope, in this crazy world where life seems to be a constant struggle I want people to hang my work on their wall and say to themselves, look, hes functioning in the world even after being through lifes mill there is an achievable light at the end of the tunnel.

several such paintings are being created at the moment which fall into that cheap category, one showing the journey between the dark and the light, the stepping out from a dull cold and meaningless existance onto what seems a spinning and racing vertigo inducing world, the dream is blurred but at least you are able to pick up fleeting glimpses of both reality and of the unknown, for some a hasty retreat is quickly made back to the world of the known, your comfort zone.


underpainting



the other peace is more in line with my post on Space, I dont mean the kind of space that exists beyond our planet I mean ones personal space, every person needs a space and that space is representative of a persons aura, the thing that I keep colliding with every moment I am around people, unless that is of course they are people who carry a similar existance as mine where the two spaces, auras, energies even are able to cohabitate in harmony between each other.

every person needs that space of their own, without my having that space I feel hemmed in, suffocated, claustrophobic, there is no greater a joy than being in company where space is ballanced; my main social life is attending artist preview nights, some, I can stay for as long as the ballance and harmony is in existance, sometimes to the end, a bad nite for me is where I go to a preview or gallery opening and that ballance jsut is not there, the artistic is not the primary reason for the event, those are sad nites, though only, I get back to the studio that is, the event, whatever it was a distant memory with only the most important parts engrained in my delicately ballanced mind.

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A Quiet Return It’s been a few years since anything new appeared on this blog. No dramatic exit, no crisis, no grand story — just life unfolding in its own quiet way while I wandered off into a long stretch of creative exploration. I didn’t spend that time chasing expectations or trying to produce anything impressive. In fact, it was the opposite. I let myself make things without pressure, without anticipation, and without any need for an audience. It was a good kind of absence — the sort that gives you space to breathe and rediscover what you enjoy. Along the way, painting slipped out of my hands. Not abandoned in frustration, just… released. It had carried me through many chapters, but eventually it felt like a language I’d said enough in. So I turned to sculpture, almost by accident, and found myself on a long, meandering tour through every material within reach. Papier‑mâché came first — messy, forgiving, and strangely liberating.Foam followed, stubborn but full of possibility.Cardboard had its moment too, proving far more architectural than I expected. Each material taught me something different about form, weight, and patience. And then, gradually, I settled into polymer clay. It felt right — structured but flexible, expressive without demanding perfection. It opened a new path, and with it came another journey: exploring genre, tone, and character in ways paint never quite allowed. So yes, I’ve been away. But not idle.Just quietly occupied in the kind of creative work that doesn’t need announcing. Now the blog returns — not as a relaunch, not as a promise, but simply as a continuation. A place to share what I’ve been shaping, learning, and enjoying along the way. If you’ve found your way back here too, welcome. Let’s see where this next chapter leads.

Polymer Clay 01

grounding